Yang, Jilin, pseudonym gen yi, zi mo table, Hao xuanwu hall, was born in 1955 in Huzhou, Zhejiang province. Painters of the National Academy of Ethnic Paintings. Currently, he is the deputy secretary general of the corporate artists working Committee of the China association for the promotion of corporate culture and lives in Beijing. Following Lin's six-year-old study of writing, his hand on the screen and his heart on the chase, he learned Tang Ou in regular script and acted as the "two kings". Pay attention to the innovation of French and ancient, gather the strengths of everyone, and have the honor to get the advice of many famous artists. The painting and calligraphy art level of by going up one flight of stairs has created its own book forcing technique-"Hubi Art". His works have won silver prizes in many competitions and have been published in the grand ceremony. In 2009, he won the excellence award, the first prize and the gold medal in various competitions celebrating the 60th anniversary of the founding of the People's Republic of China. He won an art award in the painting and calligraphy competition for the 90th anniversary of the founding of the CPC and was awarded the honorary title of "patriotic painting and calligraphy masters". On October 31, 2017, he participated in the "Celebration of the 19th Great Do not forget your initiative mind Following the Party-An Exhibition of Excellent Calligraphy and Painting Works of an Enterprise" held at the Literary and Art Home of the China Federation of Literary and Art Circles. His works are popular with friends at home and abroad. Comments by Zhang Zhanyun, Executive Secretary of national architecture institute of china Calligraphy and Painting Committee; Yang Jilin's works are really excellent works that combine the root carving art with ink painting. Among them, it can be seen not only its extraordinary harmonic creation in root brand art-its basic skills are mature and vigorous, its blade is full of vitality, its shape is novel and unique, and it is full of the flavor of the times. It can also be seen that the work of carving has its own originality in painting. On the whole, it is vigorous in bone strength, scattered in layout and distinct in level. With calm, strong, thick and solid lines, it accurately shows the shape and texture of the root carving, and shows the different changes of root knot, connection and thickness, forming a rich and colorful curve type, which makes the viewer think and feel alike and have a long aftertaste. The vigorous and unsophisticated make-up of the new plum, the root painting novel painting flower god -Famous Painter Yang Jilin Yang Jilin, a well-known contemporary painter, has very skillful root carving techniques. The inheritance of these techniques comes from the prosperity of family studies. He is already famous in the field of root carving, but he does not stop at the sharpening of a skill. Instead, he transfers the rich accumulation of root carving examination into the painting language, allowing the peculiar modeling of root carving art and the flowing and beautiful color of painting art to collide and merge with each other, creating the peculiar artistic form of root carving plum blossom, which can be said to be the innovation of inheritance! The plum blossom painting includes the ancient plum blossom of Wang Mian, which dominates with artistic conception. There are also Guan Shanyue's contemporary plum paintings, which are pleasing to the eye. However, whether Wang Mian paints the plum blossom or Guan Shanyue paints the plum blossom, there are established paradigms that play a key role. Painting according to the paradigms is the result of the inheritance of traditional Chinese painting techniques. Therefore, when plum blossom is inscribed for thousands of years, the phenomenon of making is obvious and innovative forms are very rare. On the other hand, Yang Jilin's unique painting of plum themes is absolutely different from the ancient times and different from the ordinary! It is based on the root carving art to create a new work of plum inscriptions. He did not paint plum branches in a freehand style, but rather in a spectacular way, he painted plum branches into a pile of steel, iron, copper and gold. There is a realistic style of oil language, with light and shadow accompanying and perspective. Also has the root difficult Italy nest shape, the packing is intertwined, the physique impressively, the modelling is extremely pleasant! The shape of the root carving, if really touching and touching, has quite strong artistic tension, making it an excellent combination of fine brushwork and freehand brushwork. Just looking at the difficulty of the root, there is infinite visual charm. What is even more amazing is that on the basis of the image of the root carving, plum blossom is given according to the shape. The red bee is warm and outstanding in style. The gorgeous plum blossom and the pale movement of the root carving show a strong contrast effect: the branches are made of steel, the flowers are delicate and charming, the primitive simplicity reflects pride, and the heaven and earth are painted by the flower gods! A single root carving will never have the brilliant vitality of flowers. The old plum blossom painting will never have the imposing tension of branches. Yang Jilin combined the two rules of root carving and bone setting and vivid flower painting into a whole, making the root carving make up the new plum and creating a new tree with a unique theme. Yu Qingfeng is on a high shelf. Who can compare all flowers? Heaven and earth, inside and outside the painting, you can never find the essence of plum blossom! Pale move of primitive simplicity makeup new plum, root painting novel painting flower god. He is a master of modelling expressionism, so the form aims at serving the acme of expression. He is also a great expressionist with elaborate colors, so full colors must be created to make people feel enchanted, intoxicated, and have a pleasant color charm, which is magnificent and magnificent. He has the extreme magic power of modeling performance and the extraordinary talent of color rendering, so he not only forces plum blossom to show the wonders of the world, but also uses green and ink to shape the wonderful texture of the world. He paints landscapes and ink blends, endows green and elegant, and has strong texture and myriad gestures. A landscape painting can be regarded as a bonsai rock for desk playing. A bonsai, or a cloud, smoke and wind god who only communicates with the spirit of heaven and earth! His paintbrush can communicate the near view and the far view, wander between the actual and the actual, and show the Zen machine that is not easy to be empty and not easy to be empty into both the party and the law. Only if you know your skills well and have a thorough mental skill can you use your pen and ink to create a world of extraordinary skills like his! Famous book forced critic Liu Zhenming August 5, 2019
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works
Yang Jilin's Works